The Monteverdi Music School is very pleased to offer the following faculty members for instruction in a wide array of instruments and disciplines. If you are interested in joining the faculty, please CONTACT US. We have a variety of ways to join the faculty, including hourly rental of studio space, rentals of studios for blocks of time or full days, or a non-resident affiliation if you already have studio space.
* indicates a teacher who offers lessons in studios at Monteverdi.
Luke Rackers serves the community as a private educator, composer, performer, producer and arts administrator. As Executive Director of Abundant Silence, Luke is very passionate about new music and helping composers connect with performers, students & listeners. With a Masters of Fine Arts in music composition, Luke uses his education, experience in music as a performer, composer and educator, and expertise in a variety music business endeavors to help composers successfully present their artistic voice to the world. As an educator, Luke specializes in teaching private lessons to piano students of all ages and levels. He combines his piano teaching background with his composition and improvisation expertise to develop creative and unique learning opportunities. Luke has over a decade of experience in the music industry and loves learning about new ways to help promote and produce new musical works of art. Luke performs in a variety of ensembles including his new music ensemble, Musica Verto Novo, which performs many of the works in the Abundant Silence catalog. He composers primarily for solo piano and small ensemble. Luke is continuing his educational pursuits at UVM in the Master of Education in Interdisciplinary Studies program where he will be studying educational philosophy, teaching artistry, music curriculum design, public policy and community development, and the psychology of learning. Email Luke HERE.
*Jacob “Jaco” Schiller
Jacob Schiller, filmmaker, writer, pianist, accordionist, vocalist, guitarist, bassist, farmer, experimental/surrealist artist, was born April 28, 1999 in Cambridge, Massachusetts. He moved to central Vermont in 2001. At age 10 he started classical piano training with Mary Jane Austin at Monteverdi Music School.
He began his life of musical performance in Burlington at age 12 with The Spielpalast Cabaret as pianist & accordionist. At age 13 he completed his first short film The Hidden Mythical Creatures. Jacob was a featured pianist in “The Next Generation” at Chandler Center for the Arts. As a student at Lake Champlain Waldorf High School, Jacob was involved in various independent creative projects including yeucchhhh (experimental/grunge/rap), jaggd (experimental/structured noise), The Equinox (jazz/rock/funk), The Blind Continuum (art rock/spoken word) as well as in his own solo work. He also worked as a counselor at River Arts Rock Camp during summers, couching kids ages 6-16 on guitar, bass, piano and introductory production. From ages 17-18 Jacob worked with salsa/afro-cumbia orchestra Mal Maiz, gypsy-punk/hardcore band Miku Daza, gypsy/folk/swing band Gimmel, roots rock/americana band My Mother’s Moustache, and blues/rap project The Cosmik Blues Apothecary. For his senior project he released his second short film The Limitless.
Jacob spent this past winter in the southwestern US working with Smokebrush Foundation in Manitou Springs, Colorado. Jacob is also a passionate bike rider and explorer, having done expeditions in southern Vermont, New Hampshire, Colorado, New Mexico and Ecuador. As a young artist, Jacob’s goal is to empower kids to improvise, write their own music and share it with public audiences. Lessons will be focused on the structure of songwriting, i.e. poetry, rap, composition and introductory production. Offering lessons on piano, guitar, bass, vocals, drums and digital production (beats). Email Jaco HERE.
Debra has enjoyed teaching piano to children since 1993. Debra began her Suzuki training at the Colorado Suzuki Institute and continued with Master Suzuki music teachers from the Pacific NW to New England to Canada. Teaching piano in the Suzuki method has come very natural to Debra through humor, love for the child, love of music, and a strong belief in Suzuki’s vision that “Perhaps it will be music that will save the world”! The structure and practices of the Suzuki method are wired to how children naturally learn. When the environment supports the child, these kids can’t help but thrive musically. Debra received a BA in Psychology from Burlington College in 1987 and graduate coursework in music education in 1991-92. After 15 years in Seattle, Debra returned to Vermont in 2011 with her husband and kids, now 13 and 17, both raised in Suzuki music environments. Email Debra HERE.
Eliza Thomas studied music as an undergraduate at Harvard University, and then much later, after a series of odd jobs that had little to do with music, attended New England Conservatory in the vocal and instrumental accompaniment program. In 1992 she moved to Vermont, eventually making her way to Montpelier and to the wonderful music and arts community of central Vermont. She has taught piano at the Monteverdi School since 1998 and collaborates with area musicians and with a number of organizations, including Echo Valley Community Arts, Vermont Opera Theater, Unadilla, Green Mountain Theater Group, Opera North and WordStage Vermont. She is accompanist for the Spaulding High School Chorus and the Plainfield High School Initiative, and serves pianist/organist at the Unitarian Church of Montpelier. She is also a lapsed writer, but hopes soon to begin work on a mystery with musical overtones. Email Eliza HERE.
J.D. Williams spent his childhood in West Virginia, began piano at age 6, and a school much like Monteverdi formed his early education in music. At age 13, he started taking piano much more seriously, gave his first solo recital, and two years later attended the Tanglewood Institute. After further study, competitions, and performances in high school, he went on to attend the Peabody Conservatory, graduating in 2001, as well as the Aspen, Banff, and Meadowmount music festivals. J.D. has made his home in Vermont since 2004, and feels very fortunate to be living in this beautiful state making his living teaching and playing piano while pursuing his other passion of homesteading in its many facets. Email J.D. HERE.
Nora Zablow has been teaching music for over 40 years, in public and Waldorf Schools, church and community choruses (children and adults) and in individual lessons. As a piano teacher, she specializes in beginning through intermediate students of all ages, emphasizing efficient technique, creativity, and musicianship in developmentally appropriate and enjoyable ways. Voice students from shower singers to those preparing for college, All State, and other auditions are welcome. Lessons incorporate understanding how the voice works as part of our whole “bodyminds.” Music of all genres, including pop, folk, jazz standards, art song, and opera are taught. Email Nora HERE.
See below under Woodwinds
*Lisa Carlson – Flute
Lisa Carlson has taught flute in Central Vermont since 1985, and currently maintains a private studio on Langdon Street in Montpelier. She teaches privately, both in person and online, and is also on the faculties of Monteverdi Music School, Seven Stars Center for the Arts in Sharon, and Upper Valley Music School in Lebanon, NH. Her study of flute and flute pedagogy includes lessons with Katherine Borst Jones at Oberlin, as well as intensive study of the Suzuki Method at Suzuki Institutes in Tennessee, Ontario and Massachusetts. Her teaching style focuses on foundational development within the context of individual student inspiration. Flexibility of style includes contemporary technology where appropriate, and Lisa is well versed in a wide variety of teaching tools. She enjoys teaching students of all ages and levels, and has trained some of the finest high school flutists in New England. Her greatest joy is starting young children with the Suzuki Method, combining joy with a solid foundation, and nurturing their development, often to a highly advanced level. Lisa has spearheaded chamber ensembles with some of the finest musicians in the area as well as with her own two adult daughters, and she performs as principal flute with the Montpelier Chamber Orchestra. Her chamber ensembles are in demand for events throughout Vermont, New Hampshire, and beyond. She maintains a web site and blogs at http://lisaflute.com. Email Lisa HERE.
Sandra Cathey – Oboe, Clarinet, Recorder
Sandra Cathey graduated from Goddard College in 1969 with a BA in Music and Education. Sandra’s performing experiences include playing with several orchestras; Vermont Symphony, Vermont Philharmonic and the Montpelier Chamber Orchestra. She was principal oboe in the Vermont Philharmonic for 41 years and joined the Montpelier Chamber Orchestra as principal oboe in 2006. In addition, Sandra has been a member of several woodwind quintets and small ensembles, performing throughout Vermont, New Hampshire and the Boston area.
Sandra has advanced her studies in conducting, performing and teaching at the University of Vermont, the Hartt School and Berkley School of Music. Her teachers include Lawrence Thorstenberg (Boston Symphony), Neil Boyer (Portland Symphony), and most recently, Humbert Lucarelli (world renowned oboe soloist and faculty member at the Hartt School and NYU). Sandra began her public school teaching career after graduation and taught kindergarten through grade 12, general and instrumental music for 20 years. In 2000, Sandra became certified to teach Kindermusik, a child development program taught through music for children from birth to age 8. At this time, she also continued to teach private lessons on oboe, clarinet and recorder. Over the years, many of Sandra’s students have participated in the Winooski Valley Music Festival, All State Music Festival, and the All New England Festival. Sandra teaches Kindermusik and private instrumental lessons in her studio in Montpelier, Vermont.
Sandra lives with her husband, William in Middlesex where they brought up two now grown daughters. Both daughters were graduates of the Vermont Youth Orchestra, one as principal clarinet and one as concert master. You can learn more about her at her website. Email Sandra HERE.
*Werner John – Recorder
Werner John has been an independent musician, teacher and recording artist specializing in wood flutes for 35 years. He studied baroque recorder with Lisa Goodman, Bernard Krainis and Steve Rosenberg and majored in music at Amherst College and Warren Wilson College. Werner teaches recorder at all levels, to players of all ages 6 and up, individually and in groups. Students may enjoy being part of an intermediate level recorder ensemble playing Baroque, Renaissance and Celtic music. Email Werner HERE.
*Zoe Christiansen – Clarinet, Saxophone, Flute, Piano, Accordion
Zoe Christiansen is a multi-instrumentalist and teacher who has performed and studied internationally throughout the last 10 years playing composed, improvised, and folk musics. As an avid improviser, folk, classical and contemporary musician, Zoe incorporates teaching practices from many branches of her own education, emphasizing ear-training, exploration, and instrumental technique that develops from the ear. She offers lessons on piano, clarinet, saxophone, flute, and accordion.
Zoe began studying piano at age three, and later studied piano with Mary Jane Austin at Monteverdi Music school. After graduating from Union-32 high school in 2005, Zoe began working as a freelance Klezmer clarinetist, and made multiple trips to Eastern Europe to conduct research in Klezmer music and the traditional music of Moldova. She received a B.A from New England Conservatory’s Contemporary Improvisation program in 2010, where she studied composition, improvisation, and traditional musics, playing piano, clarinet and accordion. After graduating in 2014, she continued to travel to study with masters of Eastern European and Turkish music, often combining overseas trips with tours with the Northern Harmony ensemble. Her studies have taken her to Albania, Kosovo, Turkey, Macedonia, Bulgaria and Greece, where she has had the opportunity to study with some of the best musicians in the traditions. Zoe brought her extensive experience in musical theater, composition and improvisation to Burlington’s Spielpalast Cabaret in 2015 as musical director and composer. Zoe has worked not only through the Village Harmony program, but as a clarinetist and ensemble leader at Klezmer workshops in New York and Canada. Email Zoe HERE.
*Joni McCraw – Clarinet, Saxophone, Flute
Joni Hollis McCraw has been teaching woodwinds for more than 45 years. A busy freelance musician, she has performed in more than 125 musical theater productions on everything from piccolo to baritone saxophone. As a clarinetist she has performed with the Vermont Symphony, Vermont Mozart Festival, the Indian Hill Symphony, and many other groups. She has a degree in applied music from the University of Massachusetts. Joni studied clarinet and saxophone privately with Joseph Allard at the New England Conservatory of Music and flute with Nancy Jerome. Email Joni HERE.
*Michael Close – Cello
Michael Close is a composer, cellist, and teacher living in Worcester, VT. He graduated from Bennington College in 2003 with a bachelor’s degree in music composition and a master of arts in education. He has been a composer-mentor with Music-COMP since 2004, a program which encourages and supports students in composing and arranging music. He teaches cello and chamber music classes at the Monteverdi Music School in Montpelier. He is also the music teacher at Doty Memorial School. Michael plays cello with a wide variety of orchestral and chamber groups around Vermont. He has been the section leader of and a soloist with the Montpelier Chamber Orchestra. He is a prolific composer and some of his most recent works have been performed by the Montpelier Chamber Orchestra, The Birmingham Bloomfield Symphony, The Vermont Contemporary Music Ensemble, Chamber Music at the Scarab Club of Detroit, the Eleva Chamber Players, and the Vermont Choral Union. Email Michael HERE.
*Suzanne Smith – Cello
Cello Chan Woods founder and Director, Suzanne Smith, has performed and taught for over 30 years. During that time, she has developed a philosophy of teaching that includes the whole person in ways that help ignite the creative process and instill confidence in her students. A pursuit of excellence at CCW takes place in this context. Over the last seven years, many cellists have left CelloChanWoods with a new clarity about their personal, cellistic, and artistic goals. A highly supportive community of musicians makes it all the more possible.
Ms. Smith has a bachelors in performance from Oberlin Conservatory under the late Richard Kapuscinski, formerly a member of the Boston Symphony Orchestra. She went on to complete a Masters in Music under Bernard Greenhouse of the Beaux Arts Trio. After doing two more years of post-graduate study with Mr. Greenhouse, she later worked with Janos Starker over a 2-year period from 2010-2012. At the Tanglewood Music Festival she performed under Colin Davis, Michael Tillson Thomas, Seji Ozawa, and Gunther Schuller. In master class Suzanne has worked with Lynn Harell at the Scotia Festival, Jules Eskin at the Sarasota Festival, Rya Garbasova at the Cleveland Institute, and more. Suzanne studied the Suzuki method in the 1980s with Evon Tate, Gilda Barston, and was honored to have a meeting with Dr. Suzuki himself in 1970. She has performed as chamber musician, soloist, and orchestral performer throughout her life.
Suzanne’s cellist work has become directly and positively impacted by her study of Zen, or Ch’in Buddhism, for the past 25 years. Ch’an, within the name Cellochan or CelloChanWoods, means the deepest understanding or to “see”. Though Buddhism is not studied here, many of the ideas relating to focus, confidence, and openness are shared. The retreat is an opportunity to explore the joy of music making in the context of mind and body integration. Through basic centering meditation and relaxation in movement classes, students can locate tension and/or blocks in their playing. Zen offers many ideas regarding focus and concentration. Over a period of 10 years, Suzanne studied under the late Zen Master, Master Sheng Yen, for whom a chair at Columbia University has been dedicated. Master Sheng Yen founded the Dharma Drum Buddhist University in Taiwan. She has participated in numerous Zen retreats and uses the method of “Silent Illumination”. As a result, Suzanne is able to clearly communicate to her students how to effectively sit, move, focus, and to be more open and aware at the cello. The cello is part of her own spiritual practice. This retreat accepts students as young as 12 up to adults. Participants are placed in their appropriate playing level at the retreat. The CelloChanWoods staff is highly qualified to teach very advanced students of any age. Email Suzanne HERE.
*Christopher Stork – Violin
Christopher Stork was born in Berlin Vermont, and began studying the violin at the age of nine. He began studying music at the Monteverdi Music School before starting lessons with Sally Thomas in New York City in 2006. Currently Chris is enrolled as a Masters Student at the Schulich School of Music at McGill University where he obtained his Bachelors Degree in Violin performance in 2016. His teaching method is solidly grounded in Galamian pedagogy, a method that encourages students with principles and guide lines, rather than rules and regulations. He also has experience with teaching in the Suzuki Method.
Chris has performed solo with the Vermont Mozart Festival, Bathurst Chamber music festival, Orchanik, McGill Baroque Orchestra and in recitals at the McGill University and at Mannes the New School for Music. He was Concert Master with the Champlain Philharmonic Orchestra, the Bathurst Chamber Music Festival, and Orchanik Orchestra. He competed in several competitions, and won residency with his Piano Trio at the Zodiac Music Festival in France. He is the two time winner of the Chandler Hall Next Generation Competition, a two time finalist in the McGill University Chamber Music Competition, a two time finalist in the Vermont Young Musicians Award, and has played solo with the Vermont Philharmonic. Email Chris HERE.
*Katie Trautz – Fiddle
Katie Trautz (www.katietrautz.com) is a native Vermont fiddler who has toured nationally and internationally sharing traditional music and original folk songs. Katie plays fiddle, guitar and banjo crossing genres with her numerous ensembles. She has studied with some of the greatest fiddle players in the US including Dirk Powell, Pete Sutherland, David Greely and Bruce Molsky. Katie has released a number of albums in the past seven years with her various bands (Mayfly, Wooden Dinosaur, Kick em Jenny, and more). Katie is the co-founder of the non-profit folk music school ‘Summit School of Traditional Music and Culture’ based in Montpelier, VT. Following her 8-year directorship at the Summit School, she became the Executive Director of Chandler Center for the Arts in Randolph, VT. Following the release of her book ‘American Harmony Singing: Kid Songs’ in the fall of 2016, she decided to return to teaching fiddle lessons from her home in Vermont, while raising her new baby son. Email Katie HERE.
*Ron Thompson – Trumpet
Ron is a former member of the National Symphony of Washington, D.C. He was privileged to play under the batons of Pierre Monteaux (his favorite conductor), and Danny Kaye ( his favorite non-conductor). Ron also performed as principal trumpet at the Carter Baron Amphitheater and as soloist at the National Cathedral.After a move to the West Coast, Ron continued his music performance as principal trumpet with the Santa Barbara Symphony and the Santa Barbara Civic Light Opera. An audiophile recording, “Baroque Music for Trumpet and Organ,” was released on Water Lily Records. During his seven years in Central Vermont, Ron has worked as a licensed counseling psychologist in private practice, specializing in performance anxiety (stagefright). He has worked with people in diverse “performance” circumstances, including competitive high diving, major symphony auditions, public speaking, and medical school examinations. He notes that trumpet playing is a wonderful place to learn about performance anxiety, as there are no “soft” mistakes on the trumpet. Ron and his family live in Calais. Email Ron HERE.
Colombian guitarist, arranger and educator, Daniel Gaviria, left the Andes Mountains for the Green Mountains of Vermont, and is excited to be sharing his love and knowledge of music with fellow musicians, audiences and guitar students.After making an unusually successful recovery from focal dystonia, a neurological syndrome that affects many musicians after rigorous years of study, Daniel now coaches other musicians on healthy practice techniques and how to avoid and/or recover from this and other similar syndromes.
While studying classical guitar at the Central University in Bogota, his musicality and virtuosic playing brought him national acclaim as the winner of several competitions, such as the Luis Angel Arango Young Interpreters’ Competition, the Fernando Sor Guitar Festival Competition. His prizes included concerts in several different national cities as well as an invitation to participate in the New York Guitar Seminar at Mannes in 2008. An avid chamber musician, Daniel performed more than 40 concerts in the Philharmonic Orchestra of Bogota’s outreach concert series as a member of the Quarteto + 1, a guitar and clarinet quintet. A founding member of the Vitart Trio, made up of a combination of acoustic and electric guitars and pedals, he arranged multi-effect compilations of film scores for outreach concerts at schools and universities and the winner’s concert of the Bogota Has Talent Competition. Now part of the 8 Cuerdas Duo with soprano Sarah Cullins, Daniel is focused on one of his favorite repertoires, 20th-century Latin-American works. The Duo has performed various concerts in Vermont, including several appearances in First Night Burlington, the Spruce Peak Performing Arts Center in Stowe and many other venues throughout the state of Vermont.
In addition to classical and Latin-American repertoire, Daniel is an avid heavy metal fan and a sought-after guitarist. Aside from his current activity he plays with grammy winner and musician extraordinaire Ray Vega in Son de Los Montes, guitarist Francis Andreas in the Gaviria & Andreas Guitar duo, Cynthia Braren and Marcie Hernandez. He is also a trained Suzuki-method guitar teacher of all ages and holds an Arts Administration post-graduate degree from the Universidad del Rosario in Bogota. You can learn more about him at his website. Email Daniel HERE.
Doug Perkins of Washington, Vermont is a virtuosic acoustic guitar player, whose high-octane chops have enlivened many of Vermont’s most popular bands, over his several decades as a working musician in the state. His powerful and subtly expressive technique and composing in diverse genres including jazz, bluegrass and classical, was recently recognized for its excellence when his first solo effort Music for Flat-top Guitar (2012 Thunder Ridge Records) was designated “Best Instrumental Album” by the Barre-Montpelier Times Argus. Doug is an unparalleled master of the steel string guitar and has brought the instrument into a new relationship with modern styles of music.
Doug is also well known regionally for his collaboration with mandolin player Jamie Masefield of the Jazz Mandolin Project. Having performed together for 15 years in the Northeast, this dynamic duo performs in an original, intuitive manner that sets itself apart from Nashville and West Coast styles. They are frequently joined by bassist Tyler Bolles and, for added punch, Phish drummer Jon Fishman. Their repertoire typically includes pieces from the likes of Django Reinhardt, Bill Monroe, Miles Davis and Antonio Jobim blended seamlessly with performances of their own jazz-grass compositions. One of Doug’s newest and most exciting musical projects, Hot Flannel, brings Doug together with fiddler Patrick Ross, mandolin player Matt Schragg and stand-up bassist Pat Melvin. Hot Flannel draws from the acoustic side of Appalachian music, with hints of gypsy, swing and folk songs, and a focus on the instrumental abilities of each player. Email Doug HERE.
*Dov Michael Schiller
Dov Michael Schiller is a professional freelance Percussionist, Drummer & Timpanist. In other words he likes to strike things that create “sounds & rhythms”! Dov had the pleasure of attending the New England Conservatory of Music where he studied with a number of Boston Symphony Orchestra members as well as working with all the fine Jazz, Third Stream & Klezmer luminaries. After touring in Europe for 10 years with various Broadway Musical Theater tours Dov is now keeping busy with an incredible array of musical projects throughout New England and beyond. His freelance career includes positions as Principal Timpanist with the Handel Society Orchestra, Great Waters Music Festival Orchestra, Clearlakes Chorale and he remains an active member of the Vermont Mozart Festival Orchestra and the Rhode Island Philharmonic. He is the Artistic Director & founding member of the Mt. Elmore Music and Arts Center and enjoys playing at many area clubs & venues with COSA BUENA, a 4 piece jazz/latin band featuring Jairo Sequeira (guitar & vocals), Lynda Schiller (vocals), and George Brooks (harmonica). Dov is also a member of the fantasy rock band, Moss Circle.
In addition to a wide array of performance outlets, Dov enjoys various recording engagements in both New York City & California. While based at home in the green mountains of Vermont, Dov maintains a very busy teaching & freelance schedule along with presenting frequent workshops & clinics throughout the region. Dov is very proud to be on the faculty here at the Monteverdi Music School, helping to enrich and inspire our supportive & vibrant artistic/musical community. Email Dov HERE.
Erik has performed in opera, musical theater, oratorio, operetta, and art song throughout the world, working with companies such as Green Mountain Opera, Bronx Opera, Opera Colorado, and the Amato Opera. His symphonic and oratorio performances include engagements with the New York Philharmonic, the Korean Philharmonic, Chautauqua Symphony, and the American Classical Orchestra. Erik has won many awards, including the 2010 Gerda Lissner International Competition, Wagner Division, the 2008 American Wagner, and St. Bonaventura awards from the Liederkranz competition. He was a 2002 and 2003 winner of the Friedrich Schorr Vocal Competition. Erik has fifteen years’ teaching experience with all voice types, abilities, ages, and styles. He has been a student of master teacher Braeden Harris for over ten years, and his philosophy of teaching is that all singing and song interpretation is organic and comes from good tone, no matter the style. His performance experiences allow him to help students focus not only on voice but on performance, style, and technique. Erik’s studio is currently full.
Lindsey Warren has enjoyed teaching voice and piano to students of all ages for the past 15 years. She received a M. M. from McGill University in Montreal and a B.M. Degree from Furman University in Greenville, SC, both in Vocal Performance. She has also attended Oberlin Conservatory’s Baroque Performance Institute. Lindsey enjoys singing a variety of styles of music. With regards to teaching, she believes that good technique and musicianship can be applied to any style of music (folk, jazz, classical, Broadway, etc) and her lessons focus on relaxation, breathing, fun and creativity. In addition to piano and voice lessons at VTISA, Lindsey is the founding director or Ensemble Zephyrus and sings with Counterpoint and Green Mtn. Monteverdi Ensemble of VT. Email Lindsey HERE.
See above under Piano.
*Jacob “Jaco” Schiller
See above under Piano.
COMPOSITION & THEORY
Composer Erik Nielsen has created works for chorus, orchestra, wind ensemble, solo instruments, chamber music, works for dance, film and electronic music. His pieces have been performed all over the world by ensembles including A Far Cry, the Amabile, Chiara, Emerson and Ying String Quartets; the National Symphony Orchestra; the Killington and Manchester Chamber Players; Bread and Puppet Theater; the Vermont Contemporary Music Ensemble; Vermont Opera Theater, Vermont Symphony; Vermont Youth Orchestra and Village and Northern Harmony. He has won awards from ASCAP, the Vermont Arts Council, and the Vermont Music Teachers Association. In September 2015, his opera, A Fleeting Animal, a collaboration with poet/playwright David Budbill that premiered in 2000, was performed in a newly revised edition to great acclaim in six locations in Vermont. Recent commissions include A Voice in the Night, a four-movement work for bassoon and piano, written for William Short, co-principal bassoonist with the Metropolitan Opera Orchestra and Bryan Wagorn, pianist and assistant conductor at The Met; Fanfare in B Flat, commissioned by the Vermont Symphony for their 80th anniversary, Glimpses of Azure, commissioned by the Boston string orchestra, A Far Cry; The Crane Maiden for chamber ensemble, narrator and three actors; Trajectory of Flight for mezzo-soprano and strings; and his Quartet for Strings #2. In 2002 he received the National Symphony Orchestra’s composition prize for Vermont. The resulting commissioned work, his Quintet for Clarinet and Strings, was premiered at the Kennedy Center in Washington, D. C. on March 20, 2004. Email Erik HERE.
See above under Piano.
*Mary Jane Austin
Mary Jane Austin is enjoying a rich musical life in Vermont and abroad, where her interests range from recital work and full scale opera productions to conducting children’s choruses and teaching elementary violin. She has been deeply inspired by her tutelage under the following internationally renowned vocal coaches and pianists Warren Jones, Dalton Baldwin, and Enza Ferrari, as well as Metropolitan Opera soprano Claudia Pinza, and conductor Maurizio Arena, former assistant to Tullio Serafin, and feels fortunate to be able to pass on beloved traditions to a new generation of musicians. She was recently named “Honorary Conductor” by the Vermont Symphony Orchestra. She is currently the rehearsal pianist for Opera Company of Middlebury’s mainstage productions, and is the vocal coach at the EPCASO opera program in Oderzo, Italy, having worked there since 1994. In Vermont, she enjoys collaborating with the Vermont Contemporary Music Ensemble, Eleva Chamber Players, TurnMusic, the Mad River Chorale, Counterpoint, and Vermont Virtuosi, and this summer co-founded the Vermont Italian Opera Intensive with internationally acclaimed bass Erik Kroncke. She has directed several opera and operettas at the Unadilla Theatre in Calais, as well as several works by Gilbert and Sullivan, including Gondoliers which opened this past June. Currently teaching keyboard harmony, piano lessons, and vocal coaching at Johnson State College, she is also the organist at the Waterbury Congregational Church, directs the Monteverdi Young Singers Chorus, and teaches elementary music at the Montessori School of Central Vermont. Email Mary Jane HERE.